Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Aragon jose Rafael
Our Lady of the grass
new21/Aragon jose Rafael-743768.jpg
ID: 62022

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Aragon jose Rafael Our Lady of the grass


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Aragon jose Rafael

b.c.1795 d. 1862   Related Paintings of Aragon jose Rafael :. | St. Goran and the Dragon | Notre Dame and the goldfinch | In sound of smacking lips Surrey Custy in Austria | The Belle Jardiniere | El Alma de la Virgen |
Related Artists:
Anders Montan
(1845 -1917 ) - Painter
Bartolomeo Passerotti
(1529-1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. He traveled to Rome in the mid-16th century, where he worked under Girolamo Vignola and Taddeo Zuccari. Upon returning to Bologna, he accumulated a large studio, and influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passarotti) was influenced by Passarotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passarotti). Lucio Massari and Francesco Brizzi were among his pupils. Four of Passarotti's sons, including Ventura, Aurelio, Tiburzio, and Passarotto were painters.
Jan Dirksz Both
Dutch 1610-1652 Jan Dirksz Both (between 1610 and 1618, Utrecht - Aug 9 1652, Utrecht), brother of Andries Both, was a Dutch painter. From 1634 to 1637 he was taught by Bloemaert and the painter Gerard van Honthorst before travelling to Rome ca. 1637. There he met the French painter Claude Lorrain, with whom he collaborated on a series of landscape paintings. His landscapes are typically peopled by peasants driving cattle or travellers gazing on Roman ruins in the light of the evening sun The everyday life of the streets of Rome became a favourite theme in his works. On his return to Utrecht after the death of his brother in 1642, he stopped producing genre pieces and focused instead on pictures of Italian landscapes bathed in a warm, golden light. This theme was adopted by several other Dutch painters, the Italianites.






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